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Letter sent to Uwe Schmidt, August 19, 2024. Posted with afterword on comatonse.com, August 28, 2024. Revised with an addition to the afterword on September 7, 2024. Print-to-PDF any page on this website for an easy to read document with no background textures. Dear Uwe, I was saddened to read your Future Archive Diary Entry #27 (July 27, 2024), in which you described being once again faced with social and economic harassment due to recent performances in Russia. I know your involvement in electronic music subcultures stems from an interest in sharing human connections across - or despite - the social confines of nationalism and borders. As a matter of course, the solidarity offered by this kind of "musicians without borders" approach is always going to be rendered suspect by people organized through black-and-white thinking. That is unfortunate, because most of life's complexities exist in the greys. When reading your thoughts on being "non- or rather trans-political," I was reminded of an old television interview with Linda Ronstadt. She was a mainstream pop music and disco icon in the US during the 1970s. On the culturally minor level, many of her songs became the soundtrack to underground drag shows. Back in 1983, she faced similar criticism to you for performing in then apartheid South Africa. At the time, many of her peers were participating in a cultural boycott of the region. Like you, she was someone who always presented herself as only being about the music, and was uninterested in making public political statements - until she was forced by circumstance. Speaking with fellow singer and talk show host Don Lane, she said:
There is no denying how integral the boycott movement was to ending apartheid in South Africa, and how much cultural momentum was behind it. At the same time, one might think that any large social movement with egalitarian ambitions would allow for - even encourage - a diversity of other simultaneous approaches from cultural allies. Disappointingly, when it comes to boycotts that is often not the case. As you can imagine, she faced tremendous backlash. Most came in the form of one-dimensional and deliberately misleading accusations, such as her actively promoting racism, of supporting apartheid, of selling out, of being a traitor to her country, a traitor to the music culture she personally helped cultivate, even a traitor to humanity itself. In reality, her political views were more critically informed and "left" than the average American liberal.
I value the power of civil boycotting as a person's voluntary decision to withhold support from an industry or government. It is one of the few ways ordinary people can come together and enact pressure upon systems of power. In this way, the force of boycotts is socially directed upward. That is the vital distinction between them and government mandated embargoes and sanctions, which are inversely about systems of power enacting pressure downward upon others - typically hoping to cause so much misery among a population that they will turn against their local government or social structure. There is no denying the devastation, cruelty and death that government mandated embargoes and sanctions have historically mounted upon the poorest of people already living in brutal conditions. We can all think of countless examples, past and present. Ideally, civil boycotting functions differently because it ostensibly comes from the needs of people - not institutions. As such, it has the capacity to incorporate variables of personal choice, personal circumstance, a consideration of social complexities beyond borders, and a prioritization of basic compassion for human beings over international diplomatic objectives or profits.
Unfortunately, many people involved in boycotts claim they are acting in opposition to tyranny, yet in practice they undercut their own desires for political freedoms by demanding compliance from everyone around them. Initially noble causes become reduced to a theater of peer pressure and virtue signaling. One quick litmus test for my own interest in any cultural boycott is whether or not it teams up with the interests of local governments and big businesses. It always raises concerns for me when they align, because the boycott is then operating contrary to what I expect of it as a movement of resistance coming from people. One must consider the possibility that such a boycott is an embargo-by-proxy on behalf of the establishment. These concerns run deeper when organizers and participants in a boycott impulsively respond to nonmembers - many of whom may in fact be cultural allies - with the tactics of cancel culture intended to destroy social networks and livelihoods present and future.
Again, ideally, on the inter-personal level boycott movements should grow through education and dialogue - not fear-based peer pressure. As much as boycotts are designed to pressure power systems such as governments and major industries, on the personal level they should always be actively extending a hand of invitation to individuals. It is shameful how many people lose sight of this two-pronged approach at the core of growing an ethical boycott movement. Instead, they blindly deploy pressure in all directions, up and down - often times mirroring aspects of the systemic abuses of power they are organized against. One might say it goes to show how deeply those patterns of abuse are internalized by most until they become second nature. Conversely, that is also precisely why I value those who intentionally or unintentionally find themselves walking down paths deemed unnatural. I know it was a difficult decision for you to make a public statement. Like Ronstadt, you were forced by circumstance. I have admired your work since I first encountered it in the early 90s. Despite our very different approaches to media and cultural production - even our plausible disagreements - with regard to your intentions I appreciate what is in your (Atom-)heart and take you at your word.
Afterword: Background & Context The preceding public letter of support was written to Uwe Schmidt (a.k.a. Atom TM, Atom Heart, Señor Coconut) amidst current attempts at his cancellation after recent performances in Russia. Like many musicians who perform internationally, Schmidt has a long history of performing in Russia. As happens in any country, over the years he has developed personal friendships with organizers there, along with a sense of connection to local music scenes. The events he plays at are counter-cultural and typically have tenuous relationships with local government officials from whom they must obtain permits and approvals. Several have also regularly featured musicians and DJs from Ukraine. Schmidt is anti-war, and neither he nor any of the organizers he has worked with have ever made statements endorsing Russia's military actions or criticizing Ukraine. Regardless of these details, and in contrast of ethos, pro-Ukrainian activists spearheaded by past and present members of the unapologetically pro-military, pro-nationalist and anti-pacifist K41 Community Fund have accused Schmidt and others of being actively pro-Russia and anti-Ukraine - sound bites that the Western music press and social media outlets are always happy to repeat and amplify without critical inquiry nor moral concern for the consequences on individual lives. Among other things, Schmidt has faced online harassment, attempted blackmail of both himself and colleagues, Western organizers canceling his shows at the last minute under pressure, and unfounded accusations in the press.
As a reminder, in actuality Ukraine and Russia had independently negotiated a peace agreement by the start of April, 2022, less than two months after Russia's invasion on February 24. However, on April 9 former UK Prime Minister Boris Johnson made an urgent trip to Kyiv on behalf of the US and NATO, where he successfully pressured Ukraine President Volodymyr Zelensky to break negotiations with Russia. This was because the West's ambitions since Ukraine's Western-backed "Maidan Revolution" of 2014 has been to exploit Ukraine for a prolonged proxy war with Russia - a calculated and long awaited escalation that had finally entered full swing with Russia's long-baited invasion. As Julian Assange sacrificed so much to show us, the Western military industrial complex does not fight wars to win them. It deliberately manufactures endless wars through which it can launder federal monies through private industries into the pockets of elites, as well as gain control of material resources. These wars are sold to the pubic under the guise of "spreading democracy," yet reality is that most places are left far worse off.
In the case of Ukraine, NATO has repeatedly announced it will allow them to petition for membership - with no intention of actually granting it, since that would mean all other NATO members would be contractually obligated to formally declare war against Russia in Ukraine's defense. That is diplomatically too difficult to sell. Instead, the US and NATO are exploiting Ukraine and its people for a proxy war with Russia. This is in large part motivated by the US' economic fear of German manufacturing and technology industries being directly connected to Russian material resources, such as through the Nordstream pipelines. Until now, Ukraine has served as the diplomatic control conduit through which most of Russia's resources reach Europe. Ukraine's Maidan Revolution of 2014 was a coupe in which a democratically elected government that was friendly towards Russia was replaced with one more friendly to Europe. Ethnic Russian Ukrainians considered this a violation of democratic process. (These people are typically all described as "Russian terrorists," which is as incorrect as describing the rest of the population as "German Nazis.") Over the next eight years, Ukraine continually bombed its own citizens in the eastern Donbas region along Russia's border using weapons supplied by the US and NATO. Over 14,000 people were killed, while countless more were subjected to constant human rights violations. This unremitting eastward pressure towards Russia, including concern about violence against ethnic Russian Ukrainians, was the background to their invasion in 2022. Even then, Putin made it clear he was not interested in making the Donbas part of Russia and encouraged internal diplomacy, although he stated he was willing to recognize it as an independent nation if it seceded from Ukraine. His tone only changed after Johnson sabotaged peace talks with Ukraine, making it clear the US and NATO would not allow Ukraine to pursue peace through diplomacy. Meanwhile, Western media (including here in Japan) flooded us with stories of "madman Putin" randomly deciding to attack Ukraine for absolutely no reason. This is not to say Russia's invasion was warranted, but it is a deliberate manipulation by the media to present it as a sudden and unprovoked attempt by Russia to grab Ukrainian territory. The US and NATO expertly baited Russia. Russia took the bait. I understand this level of international manipulation with no regard for human lives is a shocking situation most people do not want to believe, but denial does not alter reality. These are the things people should be outraged about. Not wasting time attacking Schmidt and others who continue to perform for people regardless of their being branded enemies of the West. I know Schmidt personally, and can say unequivocally that his performances in Russia were not an endorsement of an enemy, but were his way of showing the ongoing possibility for human interconnection amidst chaos and deception on all sides. I encourage people to continue their own research into what the West is inflicting upon people in Ukraine, as well as the economic and psychological chaos thrust upon so much of the rest of the world, all in the selfish interests of those behind the military industrial complex. This is not conspiracy theory or "Putin propaganda," but a systemic practice of endless conflict by the US that had been publicly explained and warned about by President Dwight Eisenhower as early as 1961, and is currently verified through historical facts and research by preeminent investigative journalists such as Aaron Maté and others. It should go without saying (yet in today's climate it sadly must be said), my stating these facts here is in no way a personal endorsement of Russian military actions. Rather, it is what I consider an obligatory critique of the shameful operations of my own country of birth, the USA. At this point it should be clear to all that any public messaging in the West other than support for immediate peace negotiations between Ukraine and Russia invariably works in the service of perpetuating an avoidable proxy war. An enormous part of why this still remains unclear to so many people is due to the willful misdirection of Western press and social media algorithms - including their hyping of Russia related cancellation campaigns such as the one targeting Schmidt. I know it is difficult for most people in the West to accept that we ourselves have been heavily propagandized - perhaps even more than our enemies. It sounds unthinkable. To those people, I ask you to consider how on September 22, 2023, the House of Commons of Canada invited Yaroslav Hunka, a 98 year old Ukranian Canadian, for special recognition in honor of his bravery fighting against the Russians in World War II. Following an address by Zelensky to the Canadian Parliament asking for more weapons and funding, Hunka was brought out as a living symbol of Canada and Ukraine's unification and eternal commitment to fighting Russia. Hunka received not one, but two standing ovations by all house members, including prime minister Justin Trudeau. For those of you who have still not connected the dots, during World War II the Soviet Union was a key member of the Allies fighting against the Axis powers. It turns out Canada's top political officials gave multiple ovations to a man who actively fought against Allied forces in the SS Division Galicia of the military wing of the Nazi Party, the Waffen-SS, which was formed by Holocaust organizer Heinrich Himmler. This is the truly bizarre and mindless level of anti-Russian hysteria in which we live. It is like a page directly out of 1984, "Oceania has always been at war with Eurasia, Eastasia has always been our ally. Oceania has always been at war with Eastasia, Eurasia has always been our ally." (By the way, the Polish government opened an inquiry into extraditing Hunka to face charges for war crimes.) If you did not realize or were slow to realize that anyone fighting against Russia in World War II would have been fighting with the Nazis, please consider the possibility that it is a sign you have internalized a specific brand of contemporary anti-Russian propaganda - and ask to what end. For example, does the notion of Russia being our eternal enemy make it easier for people to rally behind today's proxy war without thought, and draw our attention away from the specific contexts and events of this moment? Does it make publicly discussing those contexts and events near impossible? Does it foster silence around them by making people fearful of being immediately prejudged as pro-Russia and anti-Ukraine if they speak critically about the US and NATO's roles in all of this, or criticize ongoing corruption and fascism in Ukrainian politics - despite those critiques coming from concern about the suffering of actual human beings? Could it make people fear losing their livelihoods, being ostracized by friends and colleagues, banned from social media networks, or having their financial accounts siezed if branded a "terrorist" for speaking out against their government? What if the effects of propaganda could become so strong that a person might be cancelled without ever making a statement about any war at all, but simply for traveling or working across a border - maybe playing music there? As anyone who has had experiences in the closet knows, things are often not as they first appear and solidarity can come from unexpected corners. There is a dire need for people to break down binary fallacies of right and wrong, and recognize social corruption throughout. It is upon us individually and collectively to reject engaging in the abuses of cancel culture, peer pressure and blackmail. For those involved in boycotts, keep energy focussed from the people upward against actual sites of abusive power. Question those who demand compliance from others. Value education and outreach. Accept that nobody can know what is going on in other peoples' lives, and that they are entitled to make decisions that differ from one's own. Commit to peace through negotiation. Analyze. And when in doubt about what to do, remember non-cooperation is always a strategic option.
September 7, 2024: Some of you familiar with my work have expressed confusion about the fact that I did not take more direct issue with Schmidt and Ronstadt's a-political aspirations. One of the consistencies of my work is an insistence that all music and media are unavoidably political because of their relationships to the social contexts and economies through which they are produced and consumed. Consequently, when a producer offers no direct cultural analyses or political statements of their own, their works invariably fall into the servitude of the industries within which they move, complacently perpetuating the power systems upheld by those industries. This has not changed, and I still encourage all media producers to openly engage with the social systems in which they operate. However, for the purposes of the letter, I have been doing this long enough to understand that without ample clarification my position could easily be misrepresented by Schmidt's attackers as proving their point: that simply performing in a Russian context equates with supporting Russia's political actions. Of course, that level of reductionist logic requires seeing the entirety of Russian culture as monolithic, with no conception of the culturally minor nor localized resistance to nationalism. It also requires a refusal to acknowledge Schmidt's long history as a counter-cultural producer, and how his current approach towards internationalism has been shaped by his emigration from the West decades ago. (These are complexities that I share with Schmidt, right down to him having moved from Germany to Chile and myself from the US to Japan. I believe he would agree with my saying those moves span distances of geography and time that parallel the depth of our cultural alienation from our homelands.) Accordingly, I sought to minimize chances for misrepresentation or misinterpretation by focussing on how that kind of potential reductionism, which is unfortunately so commonplace within boycotts such as the one behind the attacks on Schmidt, can obscure us from recognizing our actual cultural allies - and adversaries. Such reductionism strategically lacks analytical complexity, for the purpose of rallying people around actions of censure that ultimately contradict the very ideals of freedom they believe they are defending. It was important for my letter to have actual use value within Schmidt's own social circles. As such, there was no strategic benefit to digging into our differences. Rather, I sought to help readers (other artists, organizers, fans, etc.) who might not be used to - or even directly opposed to - discussing the politicization of music understand and relate to Schmidt in this moment when he found himself compelled to break character and speak out. The letter also had to appeal to people who were on the fence about, or possibly already reflexively against, someone in Schmidt's position of being cancelled by pro-Ukraine advocates for having performed in Russia. This meant dancing around the reality that many people in this cultural moment - and particularly within the music industry - still immediately reject anything other than overt expressions of unconditional support for war in Ukraine in hopes of bringing about the fall of Putin. They have little room for hearing anything else, including calls for negotiating peace. Clearly, that is a tough crowd to address, let alone express something meaningful to. As a result, I dialed back on certain tropes one might expect of me. By releasing his own public statement, Schmidt (like Ronstadt) revealed a pre-existing, socially grounded way of viewing audio production and performance. For me, that disclosure of a political analysis lurking within their previous silence already sufficiently demonstrated that, spoken or unspoken, politics do indeed lurk behind everything. As an expression of solidarity with Schmidt, it was important to encourage his political engagement (regardless of how certain aspects of his views and practices may or may not align with my own), and expand upon points of agreement, rather than needlessly criticize or shut him down. This seemed especially obvious in a moment when he was - and still is - actively being attacked and silenced by people with real intentions of socially and economically harming him and others via secondary boycotts. Crossing our differences to join in protest of the efforts of his attackers is a functional example of solidarity. It is distinguishable from commonplace notions of community, which typically end up sacrificing worthy political values to peer pressure, social mirroring, and a demand for ideological homogeneity. While I am sure I could have found ways to incorporate all of these various nuances into the letter, it would have meant doubling the length of a two page letter that I had originally hoped to fit on a single page. And while it is tedious to explain all of these inner workings, I do so in hopes of creating greater understanding of my approach to expressing and inviting solidarity in the midst of differences. |