G.R.R.L.ifesto
G.R.R.L.
- Terre Thaemlitz
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1997 (comatonse.com). Accompanying text to G.R.R.L.'s album of the same name (US: Comatonse Recordings, 1997) C.003. The official G.R.R.L. release page is located in the Comatonse Recordings release catalog section. Click here to view original release artwork.
| G.R.R.L. embraces Space Jam as a powerful deconstruction of the cultural fabrication of desire, as exemplified by its lackluster appeal despite shameless over-financing and over-promotion. |
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G.R.R.L. DEMANDS THAT SPACE JAM'S MARKETING FIRM BE PLACED IN CHARGE OF ALL CULTURAL PROCESSES, SO THAT AT ANY GIVEN MOMENT EVERYONE CAN SEE EXACTLY WHAT IS GOING ON IN SOCIETY. |
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G.R.R.L. concludes that some constructions of audience do not find audience, whereas other audiences emerge from the collision of multifarious constructions of audience. |
G.R.R.L. GETS HEAVY HANDED BY STATING THIS INCLUDES IDENTIFICATIONS OF GENDER, RACE, ETHNICITY, SEXUALITY AND CLASS. |
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| G.R.R.L. STUMBLES FROM THIS CULTURAL WRECKAGE INTO THE RECORDING STUDIO. |
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G.R.R.L. adopts Space Jam's strategic intermixing of technology and nostalgia in the fabrication of new desires.
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| G.R.R.L. insists upon recording in many styles that emulate H.U.R. likes and dislikes, saying, "It's all M.E.E." |
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G.R.R.L. assures the audience that
each track is produced with 110% cyncerity.
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