FORCED EXPOSURE
- Anonymous
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In Forced Exposure, January, 1998.
Artist: TERRE THAEMLITZ
Title: Couture Cosmetique
Label: CAIPIRINHA PRODUCTIONS
Format: CD
Catalog Number: CAI 2002
Excellent strange ambiance from Thaemlitz who has also released full length
albums for Mille Plateaux and Instinct. "The sounds generated for Couture
Cosmetique emphasize residual noises produced by some of today's more popular
digital synthesis techniques -- including granular synthesis, pitch/time
convolution and heterodyn filter analysis -- bringing into focus those sounds
which currently exist in a repressed state at the periphery of popular
contemporary music production."
Artist: TERRE THAEMLITZ Title: Die Roboter Rubato
Label: MILLE PLATEAUX (GERMANY) Format: CD Catalog
Number: MP 34 Interpretations of the music of Kraftwerk on treated
piano. "Terre Thaemlitz constructs style and sound which reflect the
complexity of thematics established by Kraftwerk around the role of
postindustrial technologies in the construction of identities and cultures, as
well as his own changing and contradictory relationships to those thematics.
Consistency of tempo and key, trademarks of Kraftwerk's compositions, are often
abandoned. Melodies become obscured, warped and inverted, lost then found, only
to be lost again. The piano sound itself is digitally processed with technique.
Noise which distorts and clouds like interpretive processes. Resonance which
mimics the frustrating research for resonant phrases and associations with the
original compositional techniques with socio-political content."
Artist: TERRE THAEMLITZ Title: Means From An End
Label: MILLE PLATEAUX (GERMANY) Format: CD Catalog
Number: MP 44
A beautiful, jarring and disruptive work from
Thaemlitz whose previous CDs were released by Instinct, Caipirinha and M.
Plateaux. Using digital saturation & filtering processes, Thaemlitz
creates a disorienting bed of plundered and recontexturalized sound -- distorting
into new meaning, droning far beyond mere loopology. "Computer synthesis
allows for the analysis and resynthesis of input sound sources. It allows for the
generation of a means from a previously constructed end point. Such generations
use numeric equivalents of sound waves to establish ranges of numbers which are
then edited. Associations between sound sources can be made more or less obvious,
depending on one's technique and desire for explicit referentiality. The
functions of sound as a material, social and socio-subjective medium lend to it's
simultaneous identification as a site, a discourse, and a form of 'personal
expression'. The cultural implications of these multiplicious functionalities are
anything but harmonious, despite the bourgeois liberal content of music's
universality to which the majority of producers, theorists, journalists,
manufacturers, and listeners subscribe. Obviously, a major impetus for this
project is the reclarification of a desire for contexuality. A desire for
contextuality takes as its presupposition limitations of contextual
understanding. All re-clarifications of context are denied any essential origin.
Rather, notions of origin encapsulate a state of flux, elucidating both the ends
and the beginnings of layered transformative contents. Every analysis is
simultaneously approached as a site enacted within a social context, a discourse
in dialogue with other analysis, and a form of personal expression manifested of
desires. Turning to the utilization of sounds towards this end, electroacoustique
methodologies have come to philosophically encompass the complexities of this
circumstance quite well..." -- Terre Thaemlitz.
Artist: VA
Title: Modulation & Transformation Vol. 3
Label: MILLE PLATEAUX (GERMANY)
Format: 2CD
Catalog Number: MP 43 CD
"The third offering by music innovators of
the electronic scene in Europe and the States. This compilation, containing 23
tracks on double CD or triple vinyl blends the best of electronic music into an
excellent display of contemporary music regardless of genre and method, arranged
and improvised, notated and programmed, instrument based and electronic, analog
as well as digital. Modulation...Vol 3 again redefines electronic music by
rendering the parameters playable, re-entering the musical domain with
unprecedented ease. Sound machines are inhabited by heterogeneous sound material,
disjunctive varieties, perhaps tones, sounds, noises. Successful musical bodes
are something of unique singularity that does not erase the trail of
heterogeneity but follows multiples it. Most of the tracks are bringing back a
spontaneous feel to electronic music by building up a musical body rather than on
the more execution of implemented features and pre-installed presets transforming
digital design workplace efficiency into effortless improvisation."
Features: Oval, Curd Duca, Jim O'Rourke, Blue Byte, Arno Peters, DJ Spooky, Terre
Thaemlitz, Scanner, Gas, Andy Mellwig, Sidewinder, 4E, Steel, Pluramon, Heinrich
at Heart, Thomas P. Heckmann, Cristian Vogel, Fetischpark, Kerosene & Jammin
Unit.
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